Everything I never told you
‘One
escaped the other was trapped forever’ – Narrator
Celeste Ng gives an insight to the Asian –
American experience, which is often looked over, in her debut novel Everything
I never told you, where the death of middle child Lydia unravels the entire Lee family.
From the first chapter it is evident that the Lee
family’s lives revolved around Lydia with James being referred to as only ‘Lydia’s
father’ despite having two other children, and Hannah being described as ‘Lydia’s
sister’ or otherwise she would be forgotten beneath family trauma.
Ng wastes no space on her pages. Everyone being
filled with valuable detail about the characters and their perspective.
Ng’s debut novel is set in late seventies but
unfortunately the social pressures placed on Lydia by her parents remain
timeless. Both parents place their failed dreams on Lydia. Her father’s unrealistic
mentality about how his daughter should make friends made me audibly gasp. He
even goes so far as to gift her a book which contains bad advice such as ‘force
yourself to smile’ which seems to create docile friendships rather than treasured
ones. This aspect of family pressures helps to make Ng’s novel engaging for
every diverse reader along with her detailed writing style as well as highlight
the Asian - American influence.
The idea of Asian’s being treated as outsiders
in America is more than present. From insults such as ‘coolies’ and playground
bullying to being told to ‘set a good example’ as the first Chinese student.
The family even tries to keep up American appearances by having a ‘lovely and
decorative dinner’.
If anything, I think the books best quality is
highlighting the detrimental effects of biting your tongue and having things
that are unsaid. Lydia and her older brother Nathan develop a way of talking to
each other without saying anything but are unable to talk to each other when it
is most needed.
It is obvious that despite being her parents only
focus, that Lydia still carves real attention, attention on her as a person and
her own interests even though she hasn’t had the opportunity to truly figure
out what they may be.
Within the many positive aspects of Ng’s debut
novel lies the lacklustre revelation of how in fact Lydia died. At best it can
be taken as poetic and at worst a cop out by Celeste. You can argue that was never
the focus of the book. That Lydia’s death was only ever a vehicle to exhibit
the deep family problems. But still I am left wanting more.
Irrespective of the many negatives that the Lee
family experience Ng consistently presents them to be thinking of the future.
Yearning for what is ahead. The book ends before we learn what is ahead for
Nath or the other members of the Lee family but what is clear is the future anticipation
for Celeste Ng books based on her almost flawless debut.
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